Archive for September 2015
Here is a short analysis of the situation the BBC currently finds itself in. In it, I look at how the BBC can prepare for the next decade and continue to do what it does best under the backdrop of tighter funding and a government that is ideologically opposed to its existence in its current form.
The BBC prepared for the digital revolution remarkably well during the 1990s. For all his faults (and they are many), the then-Director General, John Birt invested both money and resources in creating, building and maintaining the BBC’s online presence as the internet became an integral part of people’s lives in what was, looking back, an astonishingly short period of time.
Praise too for Birt’s successor, Greg Dyke, who pulled a masterstroke with his pivotal role in creating Freeview. As he admitted much later, Freeview flooded the market with ‘dumb’ boxes, with no card slots or encryption technology, meaning they were incapable of turning the BBC’s channels into ‘pay as you go ‘ services at a later date. This effectively secured the long-term future of the licence fee.
However, as the multi-channel era took off, the corporation lost focus, and began to battle on too many fronts. The licence fee ‘pot’ was spread too thinly, there were too many new services, and too many attempts to mimic the commercial sector.
A combination of the new licence fee settlement, recently-announced initiatives plus political pressures ahead of next year’s charter renewal means the BBC needs to save a total of £650 million over several years.
This chart is several years out of date but it provides a rough idea of how much the various BBC services cost, but there are a few glaring omissions, such as the £75 million it now provides to fund Welsh language channel S4C.
Yet it provides an adequate guide to how money could be saved without compromising what the BBC does best.
Here are my suggestions:
Axe BBC Three (saving £112.9 million per year). Yes, we know this is becoming an online-only service from January, but there is a strong case for closing it completely. It was created with the aim of attracting the ‘yoof’ audience and being a sort of young, ‘innovative’ creative hub, but there has been a huge amount of trash on the channel like Freaky Eaters and My Manboobs and Me, which have no place on a public service broadcaster and are clearly attempts to compete with the ITV2 and MTV demographic. Most of BBC Three’s successes have been imports, repeats from other BBC channels and films. If, as its supporters claim, it really has been a successful creative hub for comedy and other ‘talent’ (I see little evidence of it personally), the controllers of BBC One and BBC Two need to become more creative themselves when commissioning new output, especially comedy.
Axe BBC 6 Music (saving £11.7 million per year). This is, to a large extent, providing a copycat service to those available on commercial digital radio, however, what’s innovative about it could be continued by moving it to off-peak slots on Radio 1 and Radio 2.
Axe BBC Asian Network (saving £13.0 million per year). We are a multiracial society, and that is welcome, but an increasingly large number of people, including our own Prime Minister, have gone on record as saying they do not believe in multiculturalism, which means something quite different. In a stable society at peace with itself, you can have many races, and many faiths, but you can only have one culture, in other words, one set of laws and values upon which we all live. It therefore follows that it is unwise to spend licence fee money on a service that encourages Asian people who have made Britain their home to look backwards towards the place from which they came, rather than towards their future here with us. It’s the role of a public service broadcaster to help them to integrate and adapt, rather than to segregate. Besides, from what I’ve heard of the Asian Network, it appears to be a largely Pakistani and Bangladeshi service, rather than a truly Asian one. Plus it’s only available on FM in a small part of Britain.
Axe the BBC News Channel (saving £57.5 million per year). This was a well-intentioned idea of John Birt’s when it was launched in 1997, but technology has moved on rapidly in the years since, as is the way we consume news. In 1997, the internet was still in its infancy and smartphones were some years away. Today,the vast majority of people have the internet in their homes and an ever-increasing majority have smartphones. The concept of 24 hour news channels is far from obsolete, but with the BBC providing news across a plethora of platforms, the BBC News Channel is an unnecessary luxury in this day and age.
In addition, I propose major reforms to the BBC’s local radio network (current budget approximately £146.5 million per year).
At its best, BBC local radio provides an excellent public service for the areas it serves, while news and sports coverage has largely disappeared from many commercial stations during the last 15 years.
At its worst, BBC local radio provides endless hours of stale, formulaic programming, typically phone-ins about dog poo before Granny Adams pops in to the studio to tell us about her prize-winning parsnips.
Another interesting issue is guests. If, for example, an author has a new book they want to promote, they will often be booked to do a number of interviews on BBC local stations across the country. They will be asked to attend the nearest BBC studio to where they live, and will, over the course of a few hours, do a series of near-identical interviews to different BBC local stations. This strikes me as expensive and unnecessary.
I would change this, so that there are eight hours of truly local public service broadcasting throughout the day, but during other periods (lighter, entertainment-based programmes), one programme would be networked on all 39 BBC local stations in England, as well as BBC Radio Wales, Scotland and Ulster, with short news and travel bulletins still remaining local throughout the day.
A typical weekday schedule on BBC local stations would look something like this.
6:00am Breakfast (local) – News, sport, travel, weather and entertainment for your area. A lighter, localised version of the Today programme.
9:00am Simon Bates with the Golden Hour (networked from Plymouth) – Bates already presents the breakfast show on BBC Radio Devon, which can continue, and he follows this with the Golden Hour, which could be networked to the whole country.
10:00am Jason Mohammad (networked from Cardiff) – Music, chat, competitions and special guests.
12:00pm The Lunchtime Phone-In (local) – Political figures from your area answer your questions. In the second hour, experts from law, medicine, cookery, gardening etc take your calls.
2:00pm Martin Kelner (networked from Leeds) – Two hours of entertainment, chat and music.
4:00pm Drivetime (local) – News, sport, travel, weather and entertainment for your area. A localised version of the 5 Live Drive programme.
6:00pm Sport (local) – Sports news and discussion for your area.
7:00pm Mark Forrest (networked) – An improved, livelier version of what’s already in the slot. There will remain local opt-outs for live sports commentaries.
10:00pm Allan Beswick (networked from Manchester) – The king of late-night phone-in radio in the North West during the 1980s returned to his old timeslot earlier this year, and this would be networked to the entire country.
1:00am As Radio 5 Live
This, I believe, strikes a solid balance between protecting, even improving what BBC local radio does best, while removing the bland, the formulaic, and the duplication of services. Across 42 stations, the savings would be considerable.
Back to television: There are rumours that the BBC Four TV channel is under threat. With a budget of £67.8 million per year, it’s a bargain, and is a superb example of what the BBC does best. It is, without doubt, genuine public service broadcasting. It MUST be protected at all costs. It is distinctive, and is not a gap that could be easily filled by the commercial sector if it closed.
One final note: The BBC needs to stop competing with the commercial sector when it comes to populist, formulaic programming. By all means innovate and create its own popular formats (Strictly Come Dancing is an example of something the BBC created that became mainstream and popular) but there is no case for the BBC spending £22 million to buy the rights to the format of The Voice. That is a clear abuse and waste of licence fee payers’ money. This sort of thing belongs on the commercial sector.
These proposals would save the BBC £280 million per year, at a conservative estimate, and I haven’t even touched on the way the BBC could save money internally, with a simplified, smaller management structure and more frugal use of resources.
These are tough, radical proposals, but if carried through, would reinforce the BBC’s commitment to public service broadcasting, while also continuing to inform, educate and entertain.